Three studies in leather goods — a hand-stitched cardholder wallet, a crossbody saddle bag, and an experimental bucket bag whose structure opens like a flower in bloom.
This collection began as an exercise in pattern drafting and hand construction, and grew into a study of how leather accessories extend the body and its daily rituals — holding identity, carrying necessities, and, in the final piece, opening up to reveal the tools of a creative practice. Each project builds on the one before it: the cutting and stitching skills learned on a simple cardholder wallet carried through into a refined crossbody saddle bag, and finally into an experimental form built around movement, structure and storage.

The starting point for this collection was a compact bifold cardholder wallet — a foundation project in pattern drafting, leather cutting and hand-stitching. Stencils were drawn out on graph paper and refined before being transferred onto vegetable-tanned leather, cut by hand, and stitched along every edge using a traditional saddle stitch. The finished wallet carries a personal monogram, “HA”, stamped into its interior card panel.








Building on the construction techniques developed for the wallet, the second project scaled up to a fully-functional crossbody saddle bag, planned around a 142 sq. inch pattern with a curved flap closure and an adjustable shoulder strap secured with a brass ring. The leather was finished in a rich mahogany dye and hand-stitched with contrasting white and maroon thread along the flap edge.




The final and most experimental piece in this collection is inspired by the natural movement of a flower as it opens and closes. Its structured octagonal form gently unfolds into soft, petal-like panels that reveal the interior, then closes back into a compact shape when secured — capturing a sense of organic transformation.
The form began as a digital pattern of interlocking octagonal panels and petal-shaped sides, then tested at scale through paper and leather mock-ups before any final pieces were cut.



Eight petal-shaped panels were hand-stitched around an octagonal base and lid, held in place with binder clips during assembly and reinforced with leather lacing and straps at the rim.



Finished in a deep chocolate brown dye with contrasting white stitching, the bucket bag opens to reveal six individual interior pockets — designed to hold the tools, threads and notions of a maker's everyday creative practice.




The completed collection — wallet, saddle bag and bucket bag — was presented together at the degree show, displayed on plinths alongside the original concept boards and pattern diagrams.










