A coursework portfolio in computer-aided textile design — six briefs spanning surface-pattern development, digital print, technical drawing and machine embroidery, built across Illustrator, Photoshop and Wilcom.
This module translated hands-on textile thinking into a digital production workflow. Across six assignments I built repeating surface patterns, developed full digital print layouts for three-piece suits, drafted production-ready technical flats, and digitised an embroidery design for machine output — closing with a complete floral collection carried through to applied mockups. Each brief moves from research and moodboard, to element extraction, to a resolved, production-ready outcome.
The first brief fused two opposing visual languages — the hand-drawn florals and mythological figures of South Indian Kalamkari, and crisp monochrome geometry. Motifs were extracted from each theme into element boards, then recombined into new repeating compositions and resolved into a final scalloped motif rendered across three colourways, before being printed and displayed.








Inspired by Eastern textile heritage and Kashmiri embroidery reworked in a modern monochrome palette, this brief produced a full digital print layout for a traditional three-piece suit. Each garment panel — front, back, sleeves and dupatta — was composed with placed paisley motifs and a matching border, then offered in a second cornflower-blue colourway.


The third brief drew on Chinese blue-and-white porcelain — cobalt florals, medallions and wave-and-key borders. Motifs were studied into an element board and reinterpreted in a refined cobalt-on-white palette, then composed into a complete three-piece suit print layout with coordinated borders and a solid trouser.



This brief built technical drawing skills — translating tailored, avant-garde garments into precise front-and-back CAD flats with construction notes covering collars, seams, closures and hemlines. The silhouettes were studied from a structured, contemporary ready-to-wear reference.




Using Wilcom embroidery software, a lotus-and-vine motif was digitised stitch by stitch — assigning stitch types, directions and underlay for machine output — then previewed on fabric and stepped into a half-drop repeat ready for production.



The final brief brought the workflow together into a resolved floral surface collection — moodboard and pattern exploration, a finished repeat developed in two colourways with an embroidered variant, and the print applied across a range of product mockups.
A soft, painterly floral set over a marbled ground, resolved into a seamless repeat and rendered as both a flat print and a raised, embroidered colourway.



The finished print visualised across homeware and accessories — showing how a single surface design scales from soft furnishings to carried products.





